Bullies Are a Pain in the Brain (Laugh & Learn) by Trevor Romain

By Trevor Romain

Age variety: eight - thirteen Years

Overview

Practical feedback and humor support young children develop into bully-proof, cease bullies from hurting others, and understand what to do in risky situations.

A severe but funny consultant to facing bullies.

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Extra info for Bullies Are a Pain in the Brain (Laugh & Learn)

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The thief takes the girl (Kimiko Asu­ ka) hostage and flees with her. Later, after rekindling their love during a passionate sex scene, they commit a lovers ' double suicide . Significantly, the cast is the peculiar aspect of this fil m . Nihon Cinema usually relied on its stable of studs and starlets for the movies , but this time they used two relatively un­ known bit-performers in the starring role s . Ne ither Kimiko Asuka nor Shusaku Buto brought much pinku eiga experience to the production, s t a r r i ng only i n Fun ( 1 9 6 6 ) and Lustful Valley ( 1 966) , respectively .

Depres sed , she finds herself fl irting w ith Muraki (Masahiko Abe) , a handsome young guy who had searched her out . She knows this man may not be good for her, but she gives into the temptation. This decision climaxes into a heart­ pounding thriller nestled firmly inside the ugly underbelly of urban horror. Stylishly directed in stirring garish colors and lurid close-ups by Toshi­ ham Ikeda. "This film was scheduled as Niklwt­ su ' s b i g N e w Year : s h o l iday r e ­ lease, " Director Ikeda commented i n Asian Cult Cinema #1 7.

She meets an elite business man (Shiro Shimomoto) who is understandably attracted to her feral sensuality . They begin a torrid r e l ationship wh ich eventually escalates into some sur­ prisingly vicious S&M coupling . This one is all over the board . The story is too unmanageable for direc­ tor Yoneda' s meager talents . He al­ l o w s too many s c e n e s to unravel " natural l y " without respecting the idiosyncratic plot. While the storyline rumbles along unchecked , Yoneda is more concerned about sexual posi­ tions than a cohesive narrative.

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