By Michael Dirda
From Pulitzer Prize-winning ebook critic Michael Dirda comes a suite of his so much own and fascinating essays at the literary life—the excellent significant other for any lover of books.
Michael Dirda has been hailed as "the best-read individual in America" (The Paris Review) and "the top booklet critic in America" (The manhattan Observer). as well as the Pulitzer Prize he was once presented for his experiences in The Washington Post, he picked up an Edgar from the secret Writers of the United States for his newest e-book, On Conan Doyle.
Dirda's most modern quantity collects fifty of his witty and wide-ranging reflections on literary journalism, e-book gathering, and the writers he loves. attaining from the classics to the post-moderns, his allusions dance from Samuel Johnson, Ralph Waldo Emerson and M. F. okay. Fisher to Marilynne Robinson, Hunter S. Thompson, and David Foster Wallace. Dirda's issues are both diversified: literary pets, the misplaced paintings of cursive writing, ebook inscriptions, the pleasures of technological know-how fiction conventions, writer pictures, novelists in previous age, Oberlin university, a yr in Marseille, writer's block, and masses extra, to not omit a number of rants approximately Washington lifestyles and American tradition. As admirers of his past books will count on, there are annotated lists galore—of ideal e-book titles, nice experience novels, favourite phrases, crucial books approximately books, and loved children's classics, in addition to a revealing peek on the titles Michael retains on his personal nightstand.
Funny and erudite, sometimes poignant or offended, Browsings is a party of the examining existence, a fan's notes, and the suitable present for any booklover.
Read Online or Download Browsings: A Year of Reading, Collecting, and Living with Books PDF
Best literary criticism books
"Because i'm really not silent," George Oppen wrote, "the poems are undesirable. " What does it suggest for the goodness of an artwork to rely on its disappearance? In Being a number of, Oren Izenberg deals a brand new technique to comprehend the divisions that arrange twentieth-century poetry. He argues that an important clash isn't among types or aesthetic politics, yet among poets who search to maintain or produce the incommensurable particularity of expertise by way of making robust items, and poets whose radical dedication to summary personhood turns out altogether incompatible with experience--and with poems.
How area - psychological, emotional, visible - is implicated in our structures of fact and our artwork is the point of interest of this set of leading edge essays. For the 1st time artwork theorists and historians, visible artists, literary critics and philosophers have come jointly to assay the matter of area either inside traditional self-discipline limitations and throughout them.
Los angeles position des philosophes du XVIIIe siècle dans los angeles préparation de los angeles Révolution française a fait l'objet de controverses passionnées. Mais les historiens ne s'étaient guère, jusqu'à Robert Darnton, penchés sur le rôle des écrivains de moment ordre - qu'ils tirent à Paris le diable par l. a. queue en fabriquant une littérature pornographique et politique ou qu'ils se soient exilés à Londres, voire ailleurs, pour éviter l'embastillement.
A significant other to On Writing and On Cats: A uncooked and delicate poetry assortment that captures the soiled previous guy of yank letters at his fiercest and so much susceptible, on a subject matter that hits domestic with all of us.
Charles Bukowski used to be a guy of extreme feelings, anyone an editor as soon as known as a “passionate madman. ” In On Love, we see Bukowski reckoning with the problems and exaltations of affection, lust, and wish. Alternating among tricky and delicate, delicate and gritty, Bukowski lays naked the myriad elements of love—its selfishness and its narcissism, its randomness, its secret and its distress, and, finally, its real joyfulness, patience, and redemptive power.
Bukowski is magnificent on love—often a laugh, occasionally playful, and fleetingly candy. On Love bargains deep perception into Bukowski the guy and the artist; no matter if writing approximately his daughter, his lover, his acquaintances, or his paintings, he's piercingly sincere and poignantly reflective, utilizing love as a prism to work out the realm in all its good looks and cruelty, and his personal fragile position in it. “My love is a hummingbird sitting that quiet second at the bough,” he writes, “as a similar cat crouches. ”
Brutally sincere, flecked with humor and pathos, On Love finds Bukowski at his so much candid and affecting.
- Picked-Up Pieces
- The Girl Who Was on Fire: Your Favorite Authors on Suzanne Collins' Hunger Games Trilogy
- Where I'm Reading From: The Changing World of Books
- A Gravity's Rainbow Companion: Sources and Contexts for Pynchon's Novel (Revised 2nd Edition)
- Wonderful Investigations: Essays, Meditations, Tales
- Renaissance Self-Fashioning, From More to Shakespeare
Additional info for Browsings: A Year of Reading, Collecting, and Living with Books
And then, having established his ground on an entirely subjective literary judgment, Dr. " That is, all the contradictory or complicating or modifying testimony of the other plays is dismissed on the basis of Dr. Jones's acceptance of the peculiar position which, he believes, Hamlet occupies in the Shakespeare canon. And it is upon this quite inadmissible judgment that Dr. ) I should be sorry if it appeared that I am trying to say that psychoanalysis can have nothing to do with literature. I am sure that the opposite is so.
And always there is the profound interest in the dream— "Our dreams," said Gerard de Nerval, "are a second life"—and in the nature of metaphor, which reaches its climax in Rimbaud and the later Symbolists, metaphor becoming less and less communicative as it approaches the relative autonomy of the dream life. But perhaps we must stop to ask, since these are the components of the Zeitgeist from which Freud himself developed, whether it can be said that Freud did indeed produce a wide literary effect.
Yet there was, we know, a period when Hamlet was relatively in eclipse, and it has always been scandalously true of the French, a people not without filial feeling, that they have been somewhat indifferent to the "magical appeal" of Hamlet. I do not think that anything I have said about the inadequacies of the Freudian method of interpretation limits the number of ways we can deal with a work of art. Bacon remarked that experiment may twist nature on the rack to wring out its secrets, and criticism may use any instruments upon a work of art to find its meanings.